Jacob Smith is a police firearms officer with a foundering marriage, a steroid addiction, and aggressive tendencies. Unable to save the victim of a car crash, Jake takes his frustrations out on a drunk he’s arrested for a public order offence, which is what first brings him to the attention of his senior officers. As time goes on, Jake faces growing pressure; he’s being investigated for his behaviour at work, his dealer wants paying, and Jake’s erratic personal life sees him lusting after at least three women other than his wife. Something has to give… and indeed it does.
Pocket Notebook is a simply stunning debut from Mike Thomas, himself a serving police officer. The rapid-fire narrative style captures superbly the whirlwind of thoughts inside Jake’s mind, painting the officer as a man constantly on edge. Thomas intersperses Jake’s narration with extracts from the regulation notebook in which he records his activities; this device creates an effective contrast between the chaotic energy of Jake’s thoughts and the more formal structure of the notebook – a structure occasionally (and increasingly) interrupted by reminders that Jake is not the fine upstanding copper he appears (or did at first) to the outside world.
Yet, for all that he may be an antihero, Jake is not an entirely unsympathetic character. We see that he does have admirable qualities, such as concern that some of the people he encounters don’t mess up their lives; it’s just that Jake is so far gone down the road he has taken that those qualities can’t hope to balance the darker aspects of his nature. And it is the latter that Thomas portrays so well as Jake loses his grip on reality, convinced all the while that what he does makes sense. Thomas draws the reader so fully into his protagonist’s mindset that it takes a while to adjust after leaving Jake’s side. Pocket Notebook marks Mike Thomas out as a major new voice whose work deserves our attention.
David Hebblethwaite blogs at Follow the Thread.